Wendell Swanson's Mother

Among a wealth of newspaper and magazine articles I read about the movie over many years, never have I encountered anything about the family of radar expert Wendell Swanson, one of the few to portray himself and recreate his own role in "U.F.O."  Yet, among today's collection is a newspaper article spotlighting Swanson's mother, including a photo.  I am reminded of the late comedic actor and singer Jimmy Durante, who was fond of cracking the words, "Everybody wants to get into the act!"   (credit:  Barry Greenwood)

The 60 Cent Matinee

While Edward Ruppelt and Nicholas Mariana each receive more publicity in today's articles, the ad showing a matinee airing of the film for the cost of 60 cents, by today's standards, seems almost as peculiar as the saucers.  As a kid I often went to double-feature matinees at neighborhood theaters for 35 cents a visit. Nostalgia vs. changing times (sigh. . .), how unfair!  (credit:  Barry Greenwood)

Brick or Treat

Some reviewers found the movie appealing or at least interesting, while others lavished United Artists' strange release with anything but praise.  Had it been filmed in 3-D or matured a bit and prepared for theaters in Cinerama format somehow, maybe reception would have been a little less icy. (credit: Barry Greenwood)

Mariana and Newhouse Prominently Mentioned

Unexplained films of strange objects shown in the movie receive top billing in today's assortment of newspaper articles, as photographers Nicholas Mariana and Delbert Newhouse are quoted.  Most of this information was obviously harvested from the United Artists press kit, but occasions where the Montana and Utah incidents receive publicity as key ingredients of the Greene-Rouse documentary are certainly welcome and worthwhile. (credit:  Barry Greenwood)

UFOs and Pilot in Pursuit Likened to Cat and Mouse Encounter

Reviewers continued to both praise and find fault with the motion picture's director and production values, but aside from that we must consider "U.F.O." as profoundly significant for its early warning about strange things in our skies.  In 2024, we observe that its direction in 1956 was nothing less than prophetic, as we are now extremely aware of government concern and ongoing investigations.

Also today we feature a newspaper printing of the movie's most familiar poster, and we find it interesting how one review compares the famous 1952 Washington, DC UFO encounter involving several objects surrounding a military pilot to a kitten playing with a mouse.

While many newspapers listed Tom Towers as Powers thanks to a press book error, here we actually see a news clipping where the story title lists him as Powers, but the text itself correctly names him as Towers.  As we've noted before, the fact that there was a real movie actor named Tom Powers only added to the confusion -- which Towers and I were finally able to correct to some degree by the 1970s in TV Guide and other publications. (credit:  Barry Greenwood)

Reporters Are Actors, Says Towers

Tom Towers, interviewed by another reporter here as the movie premiered, said a thing or two I hadn't heard from him before, particularly where he notes that reporters may need to become "actors" to get stories on occasion.  This was interesting because I have accepted for years the premise that writers in general are all actors -- and sometimes better at acting than established actors as they pursue their craft and appear in public.  Elsewhere today, we note that producer Clarence Greene brought documents to an interview with the Boston Globe, and we wonder whether these comprised long-missing things, including studio information, that Greene put into the hands of a Los Angeles security company which no longer has possession of them. (credit:  Barry Greenwood)

Hot Water and Wire Brushes

It was good to see the occasional newspaper article focusing upon key personnel other than Clarence Greene or Tom Towers.  In this collection, American Airlines pilot Willis Sperry and former Project Blue Book chief Edward Ruppelt receive prominent mention.  We also find something we haven't seen in newsprint before:  A specific instance where a theater's advertisement for the movie involved painting flying saucer images all over the street.  Apparently, finding a guaranteed method to scrub away the images days later was difficult until the time-tested method of mixing boys, hot water and wire brushes was organized, kind of like a reverse (Mark Twain's) Tom Sawyer scene about whitewash and a fence. (credit: Barry Greenwood)

Cincinnati's Hometown Son

Articles from a Cincinnati newspaper make it clear that Tom Towers grew up in that city.  Also of interest is a reference to Dick Williams, another member of the newspaper industry who may have played his own very brief role in the movie, though this is not really clarified, the way the article is worded.  In a companion item a day earlier from the Cincinnati Enquirer, the newspaper honors Towers by including a photo from the movie (a better quality picture will be found among our earliest blog entries), but simultaneously degrades the entire effort when the motion picture is incorrectly titled as "U.F.I." with a short caption which should have easily been caught by an editor before -30- (Sorry, but I just had to show off my now irrelevant newspaper knowledge:  -30- was once a newspaper code number representing the end of a reporter's story.  Actually, there exists an old Jack Webb movie entitled "-30-"). (credit:  Barry Greenwood)

The Senator Did Not Reply

The Newsday piece brought out something of intrigue:  Producer Clarence Greene had attempted unsuccessfully to contact Senator Richard Russell (D-GA) about a very interesting UFO sighting he experienced while flying over Europe several years ago.  Many UFO researchers in later years were very familiar with Sen. Russell's incident and speculation that he did not speak about it due to either official recommendations or to his own caution about releasing data which might in some slim way involve national security (and there would also be thoughts of embarrassment in the fifties, for to report UFOs as a prominent person left one open to a windstorm of press inquiries and strange inquirers).  Also shown here today, the Portland news clipping, while informative, erred in claiming that Chop narrated his part, when it was Towers who portrayed Chop all the way through.  (credit:  Barry Greenwood)

From California to Ohio to D.C.

Many newspaper reporters and reviewers expressed at least some enthusiasm about the movie's opening, as shown in this collection, but ultimately the most influential reviewers -- the theater audience -- were less than fully on board with this Greene-Rouse production. (credit:  Barry Greenwood)

Hedda Hopper's Hollywood

When the subject of Hollywood gossip columnists came up in the 1950s, the first name on everybody's mind would be Hedda Hopper.  So popular were her praises and barbs about celebrities and their movies that she even turned up in a movie or two (maybe more) herself in a bit part.  Here, she says nice things about "U.F.O." and it may be of interest as a dateline that Hopper also references actor John Wayne and plans for his big-budget film, "The Alamo."  

Another brief article included today mentions official documents placed with Title Insurance and Trust Co. of Los Angeles.  Unfortunately, when I inquired about these in the seventies they were long gone and the firm had no idea of their whereabouts.

Of, by now, familiar significance, another article mentions in error that Capt. Edward Ruppelt played his own role -- and muddies things up even more by stating Maj. Dewey Fournet played himself, which he did not (but like Ruppelt and Al chop he did consult on the film's production). (credit:  Barry Greenwood)